David seriously fancies smart, rich Carrie as soon as he first offends her in a Boston bar. They run into each other again and though she still finds him appalling, David manages to change her mind.

Policeman Stevie Grimes never lost his trust in the police force but has been suspended a few months for accidentally shooting and killing a young boy. Because of lack of evidence in court and with some help from his former partner, Stevie soon finds himself working as a policeman again. When Stevie returns to the police force he is bound to a desk job. Stevie misses the action of the streets and asks his former partner who has been promoted to lieutenant, if there are any interesting assignments available, the lieutenant knows just a case that Stevie can work out perfectly. The lieutenant and Stevie do however share a dark secret... It wasn't Stevie that shot the young boy but somebody very important within the police force, Stevie took the fall out of loyalty.

A sexy, suspense-driven legal thriller about a group of ambitious law students and their brilliant, mysterious criminal defense professor. They become entangled in a murder plot and will shake the entire university and change the course of their lives.

Marking the 250th anniversary of Captain Cook’s departure on the first of his three epic voyages to the Pacific, this series looks afresh at the exploration and colonisation that followed through the explosive encounter between European and indigenous Oceanic art.

Abbys world crumbles around her she becomes unhinged eventually convinces her coworkers to help her kill her former crooked boss

Abbys world crumbles around her she becomes unhinged eventually convinces her coworkers to help her kill her former crooked boss

"The Art of Imagination: A Tribute to Oz" - a featurette narrated by Sydney Pollack.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

An overworked woman tries to improve her standing with men using a self-help video.